To open up "foreign prose works", skim through some of them, find that the editor has also collected some novels. It is too casual to publish a novel as a collection of essays. Or, the editor thinks that any article can be attributed to prose, which is not my problem.
Some materials have been introduced to dostoyevsky's work. I have bought his works in the past, but I have been lazy by nature and put them on the shelf in my home. This collection of essays is in the "basement" section of his "dead house hand".
Reading the "basement", my mind with the text associated with the camus's "the outsiders, Christ was crucified, and augustine's confessions, and then to themselves and their own contact with people, some exciting in the heart, but calm again.
Dostoyevsky, a gifted and sensitive artist, had been converted to exile in Siberia and had been humiliated for ten years in the land of evil. What was it that made him spend the decade? The death of Christ? The ravages of creativity...
The human being is a very contradictory animal, the artist is sensitive to this particular, his inner impulse often makes them feel at a loss, to the existence of unbearable fear; Yet that is exactly what creativity to squander the prelude to the birth of the works to realize their personal life to the infinite extension, their personality is the extension of exhausted, is just to live on the big dream of the eternal, this is the performance of the pure life? In any case, the artist's existence is absurd and pointless to people covered with bronze. This is what the basement says, and it is, no doubt, more specific and profound than I have said.
Known things as we know, it will be difficult to bring us fresh, like new things this time not into our consciousness, we will feel boring and dull, often borrow pu, sing karaoke, travel, sports, etc to avoid boredom and boring; However, this is the way to treat the symptoms, and people have to think through them to get rid of them. Artist's work is its deep side, it is us into thinking in the field of lead, who called the classic works of different era was over and people, it is the embodiment of the above phenomenon, Schopenhauer thus inventing genius as benefactor of mankind.
The book of dead houses is a literary work that Nietzsche and some psychologists highly value. From this kind of phenomenon, art, philosophy, psychology, literature, morals and religion (Dostoevsky and Tolstoy ever heard yuri soloviev told reporters that that it set up religious lectures, there can be a "little priest," said Nietzsche hours between strong, the relationship between the we can't simply be a work confined to a single domain. Understand this, and probably know what to think about.
闲来翻开《外国散文精品》，略为浏览其中数篇，发现编者将一些小说也收了进去。文章的内容如何如何，需各自体会，将小说当散文结集出版，未免过于随便。或者，编者认为任何文章都可以归之为散文也不定，这倒是我的不是了。
有些资料介绍过陀思妥耶夫斯基的作品，过去我购买过他的著作，只是我生性疏懒，将它们安置在家中的书架上与灰尘为伍。眼前这散文集里收有他的《死屋手记》中“地下室”一节。
在读“地下室”时，我的思绪随着文字联想到加缪的《局外人》，基督被钉在十字架上所说的话，以及奥古斯丁的《忏悔录》，继而又扯到自己及自己所接触过的人之中去，心中有些激动，但很快又平和了。
陀思妥耶夫斯基，一个天赋敏感的艺术家，本来以为生机已绝，却被改为流放西伯利亚，在恶寒之地受辱十年。是什么力量令他渡过这十年呢？基督的向死而生？创造力的蹂躏……
人是非常矛盾的动物，艺术家对此特为敏感，其内心的冲动常常令他们感到无所适从，对生存产生难以忍受的恐惧；然而这正是创造力挥霍的前奏，作品的诞生令他们体会到个人的生命可以无限延伸，他们的个性被这种延伸消磨殆尽后，就只为着那永恒的巨梦而生存，这是不是生命纯粹的表现呢？无论怎样，艺术家的`生存状态对于满身铜臭的人来说是荒诞的，毫无意义的。“地下室”所说的就是这些，无疑，它比我所述更为具体，更为深刻。
已知的东西为我们所熟悉，也就难以给我们带来新鲜感，这个时候如新的东西未进入我们的意识之中，我们就会感到无聊和枯燥，往往借蒲吧、唱OＫ、旅游、运动等来避开无聊和枯燥；然而，这是治标不治本的方法，人必须通过思考才能彻底摆脱它们。艺术家的作品其深邃的一面，正是我们进入思考领域的引路人，那些称之为经典的作品一而再、再而三地被不同的时代的人解读，正是以上现象的体现，叔本华也因此将天才誉之为人类中的恩人。
《死屋手记》是文学作品，尼采及一些心理学家都非常推崇它。从这种现象来说，艺术、哲学、心理学、文学、道德及宗教（陀思妥耶夫斯基与托尔斯泰曾听过索洛维约夫开设的宗教讲座，尼采小时就有“小牧师”之称）之间有着千丝万缕之间的关系，我们不能简单地将某作品局限在某个单一的领域来看。懂得这点，大概也明白什么叫思考了。
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